It’s hard to praise someone like Sydney Lea enough. He’s an accomplished poet, novelist, and essayist, who has won major awards, and yet possesess the humility of a Stoic philosopher. His poetry is flat-out beautiful and yet complex in its simplicity, and his prose style is riveting as he brings unforgettable characters to life—just as Edgar Lee Masters (in poetry) and Sherwood Anderson (in prose) did in the past.
Lea’s sixteenth collection of poems, What Shines, was published in late 2023. In January 2024, his seventh collection of personal essays, Such Dancing as We Can, appeared, followed this past May by his second novel, Now Look.
His Substack site can be found at https://substack.com/@sydneylea
I hope you enjoy the below poem and short essay.
“How To Sort Them” That woman’s husband works the graveyard shift in a warehouse someplace. He’s a big man, and sleeps all day. I bet he drinks. But what do I know? Dark clouds are stealing in. Well, no they aren't. That's poetry, and bad at that. She’s a headstone color: gray hair, gray face. Her hooded sweatshirt’s dull, like a sheet of old tin. It’s as though she doesn’t look forward to much but passing away. Her eyes are gray too, though it's too easy to call them empty. Their tears might so easily—flow. Oh no. I’m fussing around for eloquence here and coming up empty. The woman and I just nod at each other as we wait by the post office window. Though I’m a rather old man now, I go on looking toward some sort of future. I’m a big man too, which may be why that woman shrinks. Or I think she does. We all like the postmistress, who’s old herself but spry, and despite her losses still cheerful and bright. Her hairdo’s new. I recall her husband, who was a person people here always called Big Mike. Some old folks claim the man could lift a barrel brimful of hard cider right over his head. I’d like to imagine some tribute to Mike. I’d write it, if that were feasible. A character, Mike. He drove a truck that he’d brush-painted pink. He lived with his wife and children and a bunch of critters and mixed-breed hunting dogs far back in the woods. In time the kids grew up and moved from here, but the family, we remember, seemed always so decent and gentle with one another. The postmistress wears that shirt she loves. It’s a pretty shirt. Now what shall I name it? Purple? Fuschia? Puce? And how might I sort them, good and evil? How portray them? Let the clouds above, the God-damned clouds, steal in. No, let them hurtle.
Short Sad Story
As he pushed open the door of room 116 at the Longhorn Motel, I noticed the stranger’s befuddled grin. “Oh, this is–” he mumbled, trailing off, backing out. I had hours to wait before I flew back east from nearby Denver, so, seated at a chipped Formica table, I’d been trying, with small success, to rough out a piece of writing. As if it would help my efforts, I locked the door against further distractions, even benign ones like this petty mistake.
A few minutes later, however, the knob began to rattle. I slid the bolt. “What’s the matter?” I snapped when I saw the same man standing there. “Can’t you read numbers? One-One-Six. That’s me, not you.” The other didn’t appear to hear. He leaned against the door with one shoulder, cradling an ill-sorted bunch of clothes in both hands.
“Get the hell out of here!” I snapped, because he started directly to lean against me. The interloper was a younger but smaller man than I. Putting my forearms against his chest, I shoved him hard, so that he fell outside onto the lot’s asphalt, a plaid pajama top flying one way, a gravy-stained shirt the other, and a sock landing over both eyes like a flimsy blindfold. Even masked, his face wore that silly smile. It might have been a comical sight otherwise. I relocked my door.
My writing continued to go nowhere at all, so, in spite of the time gaping before me, I decided to repack my own clothes. Then I shaved, though I really didn’t need to. I couldn’t make those minor chores last long, however, and soon I headed for the lobby to grab a cup of coffee from the motel’s vending machine. On my way, I spotted the erratic fellow once more. He was up on his feet at the very spot where I’d bowled him over, his odd bundle of garments regathered, the smile still showing, though not directed at anyone or anything in particular, least of all at the one who’d shoved him.
I asked the desk clerk. “What the hell’s the story with that guy?”
“Seems like he’s lost,” the clerk answered. “I gave him the key to room 124, but he keeps tellin’ me he needs to get into 116.”
“My room,” I mused, obviously.
“I figure he’s drunk as a skunk,” the clerk snarled, turning brusquely back to his affairs.
I went out for breakfast, dawdling for more than an hour over my meal and small talk with the sweet, grandmotherly waitress at a beanery called The Country Fare. When I returned to the Longhorn, I found the showroom-clean, white Ford 150 still parked in front of 116, but its owner was nowhere to be seen. I stepped into the motel lobby again.
“What became of our friend?” I asked. The clerk said he’d found him in some other room, not 116 but not 124 either, the room he’d been assigned. Apparently, all he could say was, “I’m waiting for my daughter.”
In the end, not knowing what else to do, the clerk had called the police. In due course, the cops summoned the EMTs.
I don’t know what happened after that, because I left for my flight, much earlier than I needed to. On the way to the airport in the rental car, seated by the gate, airborne, and all through the long drive northward to Vermont after touchdown, I couldn’t help feeling rotten about having heaved that guy onto his backside. I understood why guilt might bother me as it did; but I couldn’t quite sort out the other ways I felt. I tried to console myself, of course. How, after all, could I have known that the trespasser was not of sound mind?
Yet almost a year later, I still sense that same mix of guilt and whatever else may be. If anything, my trouble of spirit has strengthened, broadened, as if it may last me lifelong. Perhaps at least I can write about it. Maybe I have always written about it in some vague way. Whatever it is.
I remember arriving at our house that night, dog-tired in body and heart, and, right after supper with my wife, going up to bed; but a more powerful memory is of a dream I had some time toward dawn, in which that lovely wife stood by me and the second of our three daughters beside a bonfire we’d lit at the end of our woodlot road. A quiet bliss pervaded the vision, or rather a feeling like the peace that the apostle Paul describes, which passeth all understanding.
For a moment, still pretty much asleep, I guess, I arrived at the warming conclusion that such peace might actually remain in the world even after I left it, and that somehow it could be available to any person sufficiently needing it. Coming to, I felt desolate to recognize my fantasy as just that.
There had been times when I needed such peace for myself, and there would be other times to come. I knew as much. I hoped it would be accessible again, though I understood I couldn’t simply will it into being.
I didn’t think of the smiling man at the Longhorn right away, though now I realize I might have.
You can find Peter Johnson’s books, along with interviews with him, appearances, and other information at peterjohnsonauthor.com
His most recent book of prose poems is While the Undertaker Sleeps: Collected and New Prose Poems
His most recent book of fiction is Shot: A Novel in Stories
Find out why he is giving away his new book of prose poem/fragments, even though he has a publisher for it, by downloading the PDF from the below link or going to OLD MAN’S homepage. His “Note to the Reader” and “Introduction” at the beginning of the PDF explains it all: Observations from the Edge of the Abyss
the poem's narrator asks the reader to answer
his questions / turning the reader into
his collaborator.
Great Syd lea poem